A Standing Ovation for One Drop of Love

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Photo by David DeVine

By Heather Hendrie, MA Transpersonal Wilderness Therapy student

It is my belief that the real magic in art arises in the space where the personal masterfully meets the universal.  And mastery is what Fanshen Cox Digiovanni brought to us yesterday over the lunch hour at Naropa University with her one-woman show, “One Drop of Love”.

Fanshen Cox Digiovanni, an award-winning actor, producer, playwright, educator, and activist, was on campus performing as part of this year’s annual Bayard & John Cobb Peace Lecture.  She wrote her show as her MFA thesis.  In answer to the question, “How long did it take you to create this beautiful piece?” she laughs and says, “Oh, about 48 years!”

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Photo by David DeVine

Using pieces from her father’s memoir and real images and recordings of conversations with family members, Fanshen created a masterpiece. She has performed the show across the country over the past five years. “One Drop of Love” is an interactive multimedia show that explores the intersections of race, class, and gender in pursuit of truth, justice, and love.

What felt most evocative (and provocative) for me was the way in which Fanshen shone light on the contrast between the questions of, “Who am I?” as traced out through her own personal history versus the oppressive identities assigned by the, “What are you?” box forced by the US census from 1790 forward.  The creative juxtaposition of the historical (and ongoing) census against a very personal and moving story served to highlight the stark difference between these two approaches to who a person is in a very powerful way.

I felt involved as an audience member, which could explain the fact that tears were streaming down my cheeks, that at other moments my skin was crawling, that I burst out laughing, and that as the show wrapped up, I raced back to my desk to write about it.

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Photo by David DeVine

The show, produced by Cox DiGiovanni, Ben Affleck, and Matt Damon is an absolute must-see.  It was awarded Best Non-Fiction Script by the United Solo Theatre Festival, and the film version won Best Documentary Film at the Roxbury International Film Festival.  It is also an official selection of the San Francisco Black Film Festival and the Black International Film Festival.

Here at Naropa University, the show was received with a standing ovation from a sold-out house.  This is appropriate for every reason, not least of which because Fanshen’s name comes from a term from the Chinese Revolution that means, “to stand up,” or “to enter a new world.”  With art like this and the mastery of activists and artists like Fanshen Cox Digiovanni, we are poised to enter a new world.  And it is up to the rest of us to make sure that we do just that.

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Photo by David DeVine

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